Jacqueline de Jong & The Situationist Times – Same Player

An Army of Liars – Situationists in Scandinavia – images and

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The exhibition Comparative Vandalism is based on Today they are increasingly seen as dynamic and temporalizing forms. This talk looks into the remarkable analogue archival practices of the artists Asger Jorn and Guttorm Guttormsgaard through the lens of the experimental research group Scandinavian Institute for Computational Vandalism (of which the speaker is a founding member). Contemporary Comparative Vandalism Symposium, Silkeborg, Denmark, September 2014 Dataradio Presentation (WORM), Rotterdam, Holland, April 2014 Taking care of things (Participation), Lüneburg, Germany, January 2014 Wiels presentation, Fiction et droit, 28 october 2013; Phd Week Doch, 26 Sept 2013, Stockholm The accompanying website developed by the Scandinavian Institute for Computational Vandalism in 2019 contains Jacqueline de Jong's history of the magazine’s creation in a series of video clips. More about the project.

The photos of the magazine spreads are by Øivind Möller Bakken. The interface was developed by the Scandinavian Institute for Computational Vandalism an. art and research group The Scandinavian Institute for Computational Vandalism (SICV).

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jan 2020 Institute for Computational Vandalism. Guttorm Guttormsgaard. Kuratert of Oslo on Asger Jorn and the Scandinavian. Institute of Comparative  Ellef Prestsæter is a writer and curator, as well as a founding member of the art and research group Scandinavian Institute for Computational Vandalism.

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With The Recognition Machine Antje Van Wichelen translates her years of research into photographic archives from the colonial era into an artistic-political installation. Scandinavian Institute for Computational Vandalism Presentation by Michael Murtaugh and Nicolas Malevé We were shown computer graphic analysis from a computer’s point of view, where images can be analyzed into various elements, then those elements separated, collated, manipulated in various ways, at least some of which are interesting, and others perhaps you are puzzled by the computer’s Scandinavian Institute for Computational Vandalism.
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Nicolas Malevé, Michael Murtaugh & Ellef Prestsæter are founding members of the Scandinavian Institute   Artists: Anna Barham, Nathan Jones, Erica Scourti, Tom Schofield, Sam Skinner, Emily Speed and The Scandinavian Institute for Computational Vandalism. Karin Nygård, Ellef Prestsæter, Anna Prestsæter, et alMatthew Fuller, Scandinavian Institute for Computational Vandalism (SICV), Ellef Prestsæter, Karin Nygård  som utvecklats av Scandinavian Institute for Computational Vandalism i Oslo.

http://constantvzw.org/site/The-Scandinavian-Institute-of-Computational-Vandalism.html http://constantvzw.org/site/SICV-Scandinavian-Institute-of-Computational To date Bricks from the Kiln has been published annually and featured contributions from (in order of appearance) Ron Hunt, Natalie Ferris, Ralph Rumney, James Langdon, Mark Owens, Jamie Sutcliffe, Iain Sinclair, Traven T. Croves, Parallel School, Catherine Guiral, Max Harvey, He Pianpian & Li You, Ryan Gerald Nelson, James Bulley, Daphne Oram, Céline Condorelli, Scandinavian Institute for Vandalism ground to a halt around 1965, but what was produced in the context and in the aftermath of the Institute is immensely interesting as philosophy, as art, as science and as a photographic culture, the last of which will be the focus of this article. Scandinavian Institute for Comparative Vandalism Showcase Active Archives Scandinavian Institute for Computational Vandalism; Showcase Search By Image Sebastian Schmieg; Showcase Printing Out The Internet Kenneth Goldsmith; Showcase Bring a thing!
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Henriksen and A. Jorn}, year={2004} } Les activistes des archives Michael Murtaugh et Nicolas Malevé présenterons l’installation The Scandinavian Institute of Computational Vandalism à la #Conférence SIGNAL #5 lors d’une table ronde autour des dispositifs de contrôle et de sécurité. The Danish artist Asger Jorn (1914-1973) established The Scandinavian Institute of Comparative Vandalism which comprised the extensive but unfinished archive of 10.000 years of Nordic Folk Art documented by the French photographer Gerard Franceschi (1915-2001). The interface was developed by the Scandinavian Institute for Computational Vandalism and produced as part of These are Situationist Times, an exhibition, digitization, and publication project developed by Torpedo (Oslo) and Ellef Prestsæter in collaboration with Jacqueline de Jong, Malmö Konsthall and Museum Jorn. The Scandinavian Institute of Comparative Vandalism (Template:Lang-da) is a non-profit cultural institute based in Denmark..